Hayley Atwell and Rupert Everett Join Season 2 of 'Rivals' on Disney+

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Hayley Atwell & Rupert Everett Join Season 2 Of ‘Rivals’ On Disney+ - Deadline

Hayley Atwell and Rupert Everett Join Season 2 of 'Rivals' on Disney+

Deadline has recently announced that Hayley Atwell and Rupert Everett will be joining the star-studded cast for season 2 of 'Rivals' on Disney+. This exciting news comes after Emily Atack and Alex Hassell discussed the show at the Edinburgh TV Festival, leaving fans eagerly anticipating what's to come. Atwell, known for her role in 'Agent Carter', and Everett, who has previously starred in 'My Best Friend's Wedding', both bring a wealth of talent and experience to the show.

New Additions to the Cast

Hayley Atwell and Rupert Everett are not the only new faces to join the cast for season 2 of 'Rivals'. They will be joining other well-known actors such as Tom Hiddleston and Olivia Colman. The show follows two rival families, the Hasting-James family and the Wades, who are constantly at odds with each other. With the talented new additions, it's safe to say that the drama and tension will only continue to escalate in the upcoming season.

Continued Success for Disney+

'Rivals' has been a hit with viewers, and the addition of Atwell and Everett is sure to only continue this trend. With the success of other original shows on Disney+, such as 'The

About the People Mentioned

Hayley Atwell

Hayley Atwell is a British-American actress born on April 5, 1982, in London, England. She is the daughter of Allison Cain, a British mother, and Grant Atwell, an American photographer from Kansas City, Missouri, which makes her a dual citizen of both the United Kingdom and the United States[1][3]. Atwell attended the Sion-Manning Roman Catholic Girls' School and later took her A-Levels at the London Oratory School. She trained at the Guildhall School of Music and Drama, graduating with a bachelor's degree in acting in 2005[1]. Atwell gained recognition for her roles in period dramas, including *The Duchess* (2008) and *The Pillars of the Earth* (2010), for which she received several award nominations[1]. Her breakout role came with the portrayal of Agent Peggy Carter in the Marvel Cinematic Universe, starting with *Captain America: The First Avenger* (2011) and continuing with the TV series *Agent Carter* (2015–2016)[1][3]. She also appeared in *Captain America: The Winter Soldier* (2014), *Avengers: Age of Ultron* (2015), and *Avengers: Endgame* (2019)[3]. In addition to her work in the Marvel universe, Atwell has starred in films like *Cinderella* (2015), *Christopher Robin* (2018), and *Peter Rabbit 2: The Runaway* (2021)[1]. She recently appeared in *Mission: Impossible – Dead Reckoning Part One* (2023) and is set to star in *Mission: Impossible – The Final Reckoning* (2025)[1][3]. On stage, Atwell has been nominated for Laurence Olivier Awards for her performances in *The Pride* (2013) and *Rosmersholm* (2020)[1]. Atwell is known for her versatility and has showcased her talents across various genres. She has also been involved in singing, performing songs like "Lavender's Blue" in *Cinderella* and "Whatcha Gonna Do (It's Up To You)" in *Agent Carter*[2]. Currently, Atwell is married to Ned Wolfgang Kelly and has a child with him[2]. Her recent involvement in high-profile franchises like *Mission: Impossible* highlights her ongoing relevance in the film industry.

Rupert Everett

Rupert Everett is a British actor, producer, and writer, born on May 29, 1959, in Burnham Deepdale, Norfolk, England. He is known for his distinctive voice and tall stature, standing at 6 feet 4 inches. Everett's early career involved being an apprentice at the Citizens Theatre in Glasgow after being expelled from the Royal Central School of Speech and Drama in London[6]. Everett gained international recognition with roles in films like "Dance with a Stranger" (1985) and "Duet for One" (1986). However, his career faced challenges in the late 1980s due to clashes with the press and his decision to openly declare his homosexuality in 1989, which initially affected his status as a romantic leading man[1][2]. His popularity was reinvigorated with his breakout role as Julia Roberts' gay confidant in the comedy hit "My Best Friend's Wedding" (1997), earning him BAFTA and Golden Globe nominations[1][7]. Everett continued to impress with roles in "Shakespeare in Love" (1998) as Christopher Marlowe and in "An Ideal Husband," for which he received another Golden Globe nomination[1][7]. He has also starred in "The Importance of Being Earnest" (2002) and "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" (2005)[7]. More recently, he has appeared in stage productions like "The Judas Kiss" and films such as "My Policeman," along with television shows like "The Serpent Queen"[7]. Currently, Rupert Everett remains active in the entertainment industry, with recent credits including the 2023 film "Napoleon"[2]. His versatility and enduring presence in film, television, and theater have solidified his position as a respected figure in the entertainment world.

Emily Atack

Emily Jane Atack is a British actress, comedian, and television personality born on December 18, 1989, in Luton, Bedfordshire. She is the daughter of actress Kate Robbins and musician Keith Atack, formerly of the pop band Child. Through her mother's side, she is the first cousin twice removed of Paul McCartney. Atack rose to prominence with her breakout role as Charlotte Hinchcliffe in the E4 comedy series *The Inbetweeners* from 2008 to 2010. Atack has appeared in various notable projects, including the movie *Dad's Army* (2016), where she played Daphne, and *Lies We Tell* (2017) alongside Gabriel Byrne and Harvey Keitel. She has also been a regular on Keith Lemon's shows, such as *Lemon La Vida Loca*, *The Keith Lemon Sketch Show*, and *The Keith & Paddy Picture Show*. Her television credits extend to *Tracey Ullman's Show* (2016), *Father Brown* (2013), and *Almost Never*. Additionally, she was a contestant on *Dancing on Ice* in 2010 and finished as the runner-up on *I'm a Celebrity...Get Me Out of Here!* in 2018. In recent years, Atack has continued to expand her career. She co-presented the final series of *I'm a Celebrity: Extra Camp* in 2019 and has starred in her own comedy series *The Emily Atack Show* since 2020. She also presented a BBC documentary titled *Emily Atack: Asking For It?*, which focuses on cyberflashing and sexual harassment. Currently, Atack remains active in the entertainment industry, with her most recent role being in the series *Rivals* (2024–). She is known for her versatility in comedy and her ability to engage audiences across different platforms.

Alex Hassell

Alex Hassell is a British actor best known for his work in television, film, and theatre. Born Alexander Stephen Hassell on September 7, 1980, in Southend-on-Sea, Essex, England, Hassell developed an early interest in acting, participating in local youth theatre and amateur productions before training at the prestigious Central School of Speech and Drama[4]. He is married to Emma King[2][5]. Hassell’s career spans both stage and screen, with significant achievements in each. He co-founded The Factory Theatre Company, an innovative group with notable patrons such as Emma Thompson, Ewan McGregor, and Bill Nighy[1]. His early theatre work included performances with the Royal Shakespeare Company, where he notably played Prince Hal in “Henry IV” parts I and II and the title role in “Henry V”[3]. These roles helped establish his reputation as a skilled classical actor. On screen, Hassell has gained recognition for a series of high-profile roles. He portrayed Translucent in the Amazon series “The Boys” (2019), Vicious in Netflix’s “Cowboy Bebop” (2021), and Metatron in the BBC/HBO fantasy series “His Dark Materials” (2022)[1][2]. He also appeared as Ross in Joel Coen’s “The Tragedy of Macbeth” (2021), further demonstrating his versatility across genres[2][3]. Other notable credits include “The Miniaturist,” “Locked In,” “Violent Night,” and “Young Woman and the Sea”[1][3]. Currently, Hassell stars as Rupert Campbell-Black in the 2024 series “Rivals,” a role he has described as complex and multi-dimensional, highlighting his ongoing relevance in contemporary television[1][2]. His recent film work includes “Violent Night” (2022) and “Locked In” (2023), indicating a steady presence in both film and streaming platforms[3]. Hassell’s career reflects a balance between classical theatre training and modern screen success. His ability to transition between intense stage performances and nuanced television and film roles has made him a respected figure in the British acting community. As of 2025, he continues to take on challenging roles, maintaining his status as a dynamic and sought-after actor[1][3].

Tom Hiddleston

Tom Hiddleston is a British actor best known for his portrayal of Loki in the Marvel Cinematic Universe (MCU), a role that has made him a globally recognized figure in contemporary cinema[1][2][3]. Born Thomas William Hiddleston on February 9, 1981, in Westminster, London, he was educated at The Dragon School, Eton College, and the University of Cambridge, where he earned a double first in Classics before pursuing acting at the Royal Academy of Dramatic Art (RADA), graduating in 2005[4][6]. His early career was marked by stage performances, including acclaimed roles in West End productions of Shakespeare’s Cymbeline and Ivanov, for which he won the Laurence Olivier Award for Best Newcomer in a Play[1][2]. Hiddleston’s breakthrough came when director Kenneth Branagh cast him as Loki in Thor (2011), a role he reprised in multiple MCU films, including The Avengers (2012) and Thor: The Dark World (2013), as well as in the Disney+ series Loki (2021)[1][2][3]. Beyond the MCU, he has demonstrated versatility in both film and television, appearing in Steven Spielberg’s War Horse (2011), Woody Allen’s Midnight in Paris (2011), Jim Jarmusch’s Only Lovers Left Alive (2013), and Guillermo del Toro’s Crimson Peak (2015)[1][4]. He earned critical acclaim for his portrayal of country music legend Hank Williams in the biopic I Saw the Light (2015), though the film itself received mixed reviews[1][4]. On television, Hiddleston starred as Jonathan Pine in the 2016 miniseries The Night Manager, winning a Golden Globe Award for Best Actor in a Limited Series[4]. He has also appeared in Shakespearean adaptations such as The Hollow Crown series, playing Henry IV and Henry V[1][4]. His stage work includes leading roles in Coriolanus and Hamlet, and a Tony Award-nominated performance in Betrayal on Broadway in 2019[1][4]. Hiddleston has narrated documentaries and audiobooks, showcasing his distinctive voice[4]. He maintains a private personal life but is known to be in a long-term relationship with actress Zawe Ashton, with whom he has a child[4]. As of 2025, he remains a prominent figure in entertainment, balancing blockbuster franchises with independent projects and continuing to be celebrated for his range and dedication to both classical and contemporary roles[3][4].

Olivia Colman

Olivia Colman, born Sarah Caroline Colman on January 30, 1974, in Norwich, Norfolk, England, is a highly respected British actress known for her versatility across comedy and drama. She first gained recognition through television roles in series such as *Peep Show*, *Green Wing*, and *Broadchurch*, where she played a lead detective in a gripping crime drama, boosting her profile significantly[2][4]. Colman’s film breakthrough came with *The Favourite* (2018), a dark period comedy directed by Yorgos Lanthimos, in which she portrayed Queen Anne. This role won her the Academy Award for Best Actress, as well as other prestigious awards including the Volpi Cup at the Venice Film Festival[1][3]. She received further Oscar recognition with a Best Supporting Actress nomination for *The Father* (2020), a drama featuring Anthony Hopkins[1][3]. Other notable film work includes *The Lost Daughter* (2021), *Tyrannosaur* (2011), and *The Lobster* (2015)[5]. On television, Colman has earned critical acclaim for roles in *The Night Manager* (2016) and her portrayal of Queen Elizabeth II in Netflix’s *The Crown* (2019–2020), the latter winning her multiple awards including BAFTAs and Golden Globes[3][4]. She also has a strong presence in voice acting for animated films such as *The Mitchells vs. the Machines* (2021) and *Puss in Boots: The Last Wish* (2022)[1]. Married to Ed Sinclair since 2001, Colman balances a prolific career with family life. As of 2025, she remains a prominent figure in British and international film and television, known for her emotional depth, comedic timing, and ability to inhabit complex characters[4][5].

About the Organizations Mentioned

Disney

The Walt Disney Company is a renowned American multinational mass media and entertainment conglomerate headquartered in Burbank, California. Founded on October 16, 1923, by Walt and Roy Disney as the **Disney Brothers Cartoon Studio**, it has evolved into a global leader in entertainment, technology, and innovation. ## History and Achievements Disney's rise to fame began with the introduction of **Mickey Mouse** in the 1928 short film *Steamboat Willie*, marking the first post-produced sound cartoon. Over the years, the company diversified into live-action films, television, and theme parks. The **Disney Renaissance** period from 1989 to 1999, led by CEO Michael Eisner, revitalized the company's animation sector. Notable acquisitions include **Pixar** (2006), **Marvel Entertainment** (2009), **Lucasfilm** (2012), and **21st Century Fox** (2019), further solidifying Disney's position as a major entertainment conglomerate. ## Current Status Today, Disney is a powerhouse in the media and entertainment industry, with a significant presence in film production, television networks, theme parks, and streaming services like **Disney+**. The company's revenue has consistently grown, with a notable increase to $91.36 billion in 2024, driven largely by its media and entertainment segment[5]. Despite leadership changes, including the reinstatement of Bob Iger as CEO in 2022, Disney continues to innovate and expand its offerings. ## Notable Aspects - **Innovation and Technology**: Disney has been at the forefront of technological advancements, integrating innovative storytelling with cutting-edge technology in its films and theme parks. - **Global Reach**: With operations spanning across the globe, Disney's brand is recognized and celebrated worldwide. - **Corporate Social Responsibility**: Disney emphasizes social responsibility through environmental protection and community engagement initiatives[1]. - **Future Projects**: Upcoming projects, such as *Moana 2* in

Deadline

Deadline is a prominent digital media organization specializing in entertainment industry news, particularly focused on business and technology aspects within Hollywood and global media markets. It provides up-to-the-minute coverage on film, television, streaming, and related sectors, offering insights into deals, production updates, and industry trends. Deadline has become a trusted source for professionals and enthusiasts interested in the business dynamics of entertainment technology and media evolution. Founded in 2006 by journalist Nikki Finke, Deadline quickly distinguished itself by delivering breaking news with a sharp focus on the intersection of creative content and business strategy. Finke’s insider connections and bold reporting style helped Deadline gain credibility and influence, eventually leading to its acquisition by Penske Media Corporation in 2013. This acquisition expanded Deadline’s resources and reach, integrating it with other major media properties while maintaining its editorial independence. Key achievements of Deadline include pioneering rapid news delivery in entertainment journalism, influencing industry conversations on streaming wars, digital distribution, and content financing. It has broken major stories on studio negotiations, executive moves, and technological innovations shaping Hollywood’s future. Deadline’s role in covering the rise of streaming platforms and AI integration in production has been particularly notable, reflecting its commitment to tracking technology’s impact on entertainment business models. Currently, Deadline operates as part of a broader media portfolio with a strong digital presence, leveraging multimedia content including articles, video interviews, and podcasts. Its audience consists of industry executives, creatives, investors, and technology professionals seeking expert analysis and timely updates. Deadline continues to evolve by expanding coverage on emerging technologies like AI, virtual production, and data analytics in content creation and distribution. Notably, Deadline’s blend of business rigor and technology insight makes it a leading voice in understanding how innovation drives entertainment’s economic landscape, serving as an essential resource for those navigating this fast-changing sector.

Edinburgh TV Festival

The Edinburgh TV Festival, established in 1976, is a premier global event and the home of independent debate in television. Held annually every August at the Edinburgh International Conference Centre, it brings together over 2,000 TV industry professionals from around the world to engage in more than 60 keynotes, debates, masterclasses, and extensive networking opportunities[1][2][3]. The Festival is renowned for its editorial independence, ensuring high-quality, relevant, and provocative content that stimulates industry-wide discussions without compromise[1][3]. A key highlight of the Festival is the MacTaggart Lecture, which in 2025 marks its 50th iteration, serving as a prestigious platform for media visionaries to influence global TV discourse from alternative perspectives[2][3][6]. The Festival also runs year-round initiatives, including the TV Foundation, which supports career development and diversity in the industry through free-to-access programs like The Network (for new entrants), Visionaries (for rising stars), and the New Writers Collective (for aspiring TV writers)[2][4][6]. These programs emphasize inclusivity and aim to broaden representation, prioritizing participants from historically under-represented backgrounds[4][6]. The organization behind the Festival, The Edinburgh International Television Festival Limited, is an active private limited company based in Edinburgh, continuing its mission to foster talent and innovation in TV[5]. The Festival’s reputation as the must-attend event in the TV calendar is bolstered by its ability to blend creative inspiration with business insight, making it a vital hub for industry leaders, producers, commissioners, and creatives alike[1][6]. Its commitment to diversity, access, and nurturing new talent ensures its ongoing relevance and influence in the evolving media and technology landscape[6]. In summary, the Edinburgh TV Festival stands as a cornerstone of the global television industry, celebrated for independent, forward-thinking debate, career development initiatives, and a vibrant, inclusive community that drives the future of TV and digital media.

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