Marvel's Fantastic Four: High Expectations for Opening Weekend

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‘The Fantastic Four: First Steps’ Expected To Be Big With $190M-$210M Global Box Office Opening – Preview - Deadline

Introduction

Marvel Studios' highly anticipated film, The Fantastic Four: First Steps, is set to hit theaters this weekend. With a star-studded cast and a loyal fan base, expectations are high for the film's opening box office numbers. According to industry experts, the film is projected to earn between $190 million-$210 million globally in its debut weekend.

The Franchise

The Fantastic Four is not a new name in the world of superheroes. The comic book series, created by Stan Lee and Jack Kirby, has been around since 1961 and has since gained a huge following. The franchise has seen various film adaptations over the years, with this latest installment being the first under Marvel Studios.

The Impact

The success of The Fantastic Four: First Steps could have a ripple effect on the superhero genre. With the film's strong opening, it could pave the way for more crossovers and collaborations between Marvel Studios and other studios. It could also set the tone for the future of the franchise and potentially lead to more films in the series. With such a strong start, it's safe to say that The Fantastic Four: First Steps is expected to make a big splash in the global box office this weekend.

About the People Mentioned

Stan Lee

Stan Lee, born Stanley Martin Lieber on December 28, 1922, was an American comic book writer, editor, publisher, and producer who became the primary creative leader of Marvel Comics.[1] Joining Timely Comics in 1939 as an assistant through family connections, he rose through the ranks, writing early Golden Age features like the Destroyer, Jack Frost, and Father Time under pseudonyms.[1][3] In the 1960s Silver Age, Lee co-created Marvel's iconic universe with artists such as Jack Kirby and Steve Ditko, pioneering the "Marvel Method" of plotting before scripting dialogue.[1][2][3] Key achievements include the Fantastic Four in 1961, which introduced flawed, relatable heroes facing real-world issues; Spider-Man in Amazing Fantasy #15 (1962), an adolescent everyman with the motto "With great power there must also come great responsibility"; and others like the Hulk, Thor, Iron Man, X-Men, and Avengers.[1][2][3][4] These innovations transformed Marvel from a small publisher into a multimedia empire dominating comics and films.[1] As editor and publisher, Lee fostered a shared universe with crossovers, broke the fourth wall to engage fans, and promoted the medium.[3][4] Later, he wrote for DC's Just Imagine series (2001), created Stripperella, and founded POW! Entertainment for media projects.[1] He appeared in cameos in Marvel Cinematic Universe films, boosting his cultural icon status.[2] Lee faced debates over creative credits, with collaborators like Kirby and Ditko receiving significant recognition, though his promotional genius and character development endured.[2][4] He died on November 12, 2018, at age 95.[1][4] Posthumously, biographies like Abraham Riesman's True Believer (2021) and Tom Scioli's graphic novel I Am Stan (2023) examined his complex legacy, sustaining his relevance amid ongoing Marvel dominance.[4][5]

Jack Kirby

Jack Kirby (born Jacob Kurtzberg on August 28, 1917, in New York City's Lower East Side to Austrian Jewish immigrants; died February 6, 1994) was an American comic book artist, writer, and editor renowned as one of the medium's most influential creators, often called the "King" of comics.[2][3] Self-taught, he began in the 1930s at the Lincoln Newspaper Syndicate, drawing political cartoons, gags, and strips under pseudonyms like Jack Curtiss, before entering comics with features such as Blue Beetle and Solar Legion.[1][2][5] In 1940, Kirby partnered with Joe Simon at Timely Comics (later Marvel) to co-create the iconic superhero **Captain America**, which became a massive hit amid World War II.[2][3] Drafted in 1943, he served in the European Theater, scouting for military intelligence by sketching maps and Axis positions after D-Day, experiences that later informed war comics like Boy Commandos and Sgt. Fury.[4] Postwar, he worked across publishers including DC (then National), Harvey, and Crestwood, pioneering romance comics and launching Mainline Publications with Simon.[2][1] Kirby's 1960s Marvel tenure with Stan Lee revolutionized superheroes, co-creating **Fantastic Four** (1961), **Hulk**, **Thor**, **Iron Man**, **X-Men**, **Avengers**, **Silver Surfer**, **Galactus**, and **Black Panther**, defining the Marvel Universe and saving the company from decline.[3][5] He moved to DC in 1970, revamping Jimmy Olsen with concepts like the Newsboy Legion and Darkseid, and launching **New Gods**, **Kamandi**, **OMAC**, and **The Demon**.[1][2] Later, he freelanced on independents like Captain Victory and Destroyer Duck before retiring from comics in 1987, with animation stints at Hanna-Barbera and Ruby-Spears.[1][5] Kirby's dynamic art style and hundreds of enduring characters remain central to Marvel and DC films, TV, and games, ensuring his legacy as a foundational figure in pop culture.[3][5] (298 words)

About the Organizations Mentioned

Marvel Studios

## Marvel Studios: A Comprehensive Overview Marvel Studios is a film and television production company that has become synonymous with the Marvel Cinematic Universe (MCU), a sprawling, interconnected franchise of superhero films and series based on characters from Marvel Comics[1][6]. The studio is widely recognized for pioneering the shared universe concept in cinema, where storylines, characters, and events cross over multiple films and shows, creating a cohesive and immersive narrative experience[6]. ## History and Formation Founded in August 1996, Marvel Studios was established as Marvel Entertainment sought greater creative control over its characters’ on-screen adaptations[1]. In its early years, Marvel Studios operated by developing scripts and packaging projects, then licensing them to major studios like 20th Century Fox for production and distribution[1]. This period saw the release of films such as *Blade* (1998), which, while not part of the later MCU, demonstrated Marvel’s ability to successfully adapt its comics for the big screen[2]. A pivotal moment came in 2004, when David Maisel joined as COO and orchestrated a bold financial move: Marvel secured a $525 million non-recourse loan from Merrill Lynch, using the film rights to 10 key characters as collateral[2][4]. This risky venture paid off spectacularly, enabling Marvel to self-finance its films and retain greater control over its intellectual property[4]. ## Key Achievements and Business Model The studio’s breakthrough came with *Iron Man* (2008), the first film fully produced by Marvel Studios and the launchpad for the MCU[6]. This was followed by a series of interconnected films culminating in *The Avengers* (2012), which proved the viability and profitability of the shared universe model[6]. Marvel Studios’ approach—combining consistent quality, strategic planning, and fan engagement—has made the MCU the highest-grossing film franchise of all time. Marvel Studios’ business model

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