Twenty One Pilots' Latest Album, Breach: A Review
Introduction
Taking the music scene by storm, Twenty One Pilots has released their latest album, Breach, to much anticipation and fanfare. The dynamic duo, consisting of Tyler Joseph and Josh Dun, has once again delivered a powerful and thought-provoking album that has captured the attention of music critics and fans alike. In this blog post, we will take a closer look at Hannah Jocelyn’s review of Breach, as featured on Pitchfork.
Key Details
Breach is a diverse and ambitious album, showcasing Twenty One Pilots’ signature blend of genres and powerful lyrics. Jocelyn highlights the standout tracks, such as “Shy Away” and “Choker”, which perfectly capture the band’s unique sound. She praises the band for their ability to experiment and push boundaries while staying true to their roots. The album also features collaborations with other artists, adding an extra layer of depth and dimension to the overall sound.
Impact
Jocelyn’s review of Breach is a testament to the band’s growth and evolution as artists. Fans of Twenty One Pilots will not be disappointed with this album, as it delivers on all fronts – from catchy hooks and powerful instrumentals to meaningful and introspective lyrics. This album is a testament to the band’s ability to connect with their audience on a deeper level while still creating music that is truly
About the People Mentioned
Josh Dun
**Josh Dun** is an American musician and drummer best known as one half of the musical duo **Twenty One Pilots**, alongside lead vocalist Tyler Joseph.[1][2] Born on June 18, 1988, in Columbus, Ohio, Dun taught himself to play drums around age 12 through a combination of imitation and experimentation.[3][4] Before joining Twenty One Pilots, he worked at Guitar Center for three years and was employed there when he first encountered the band.[1] In March 2010, Dun joined the alternative/Christian rock band House of Heroes as a touring drummer, filling in for Colin Rigsby who was taking a break. He performed with them until October 2010 when Rigsby returned.[1][2] Dun's entry into Twenty One Pilots came in 2011 after attending one of their shows at the invitation of the band's then-drummer, Chris Salih, who had worked with him at Guitar Center.[1] After Salih and bassist Nick Thomas departed in May and June 2011, Dun quit his job to perform with Tyler Joseph. Though their first show was cut short by police after just one song, Dun became the band's permanent drummer and was credited in the liner notes of their second studio album, *Regional at Best*, released in July 2011.[1][2] Twenty One Pilots achieved significant commercial and critical success with Dun as their drummer. The band has been nominated for six Grammy Awards, winning at least one.[2] Dun's drumming style blends punk intensity with alternative rock nuance, drawing influences from various artists and drummers he studied throughout his career.[3] Beyond Twenty One Pilots, Dun has collaborated with diverse artists including House of Heroes, Lights, Goldfinger, Fever 333, and Wingtip, contributing as a drummer, composer, and writer on various projects.[2][3] He is recognized as a versatile and innovative percussionist who continues to be a driving force in the band's creative output.
About the Organizations Mentioned
Pitchfork
Pitchfork is a renowned American online music publication that has been a cornerstone of music journalism since its inception. Founded in 1995 by Ryan Schreiber, Pitchfork initially gained traction for its in-depth coverage of independent music, gradually expanding to include a broader spectrum of genres[1][2]. The platform is celebrated for its opinionated and detailed reviews, news, features, and interviews, which have significantly contributed to its reputation as a leading voice in the music industry[1][4]. **History and Key Achievements:** - **Early Years:** Pitchfork was launched during Schreiber’s time working at a record store, which laid the groundwork for its focus on independent music[2]. - **Expansion and Influence:** Over the years, Pitchfork has not only maintained its influence in the indie music scene but also expanded its coverage to include popular music, making it a go-to source for both niche and mainstream audiences[2]. - **Pitchfork Music Festival:** The organization is also known for hosting the Pitchfork Music Festival, which further solidifies its position in the music world[1]. **Current Status:** In 2015, Pitchfork was acquired by Condé Nast, a major media conglomerate. Recently, in January 2024, Condé Nast announced that Pitchfork would be integrated into GQ, leading to significant restructuring and changes in its operational structure[1]. This integration marks a new chapter for Pitchfork, aligning it more closely with GQ's practices and the broader Condé Nast environment. **Notable Aspects:** - **Independent Voice:** Historically, Pitchfork has been admired for its strong independent editorial voice, although this may evolve with its integration into GQ[1]. - **Global Reach:** As part of Condé Nast, Pitchfork benefits from extensive resources and a wide distribution network, enhancing its global reach and influence[1]. - **Cultural Impact:** Pitchfork's reviews and coverage have
