Warner Bros. 'One Battle After Another' Starring Leonardo DiCaprio Rakes in Strong Thursday Previews
Introduction
The highly-anticipated Warner Bros. movie 'One Battle After Another' starring Leonardo DiCaprio has finally hit theaters and it's off to a strong start. According to Deadline, the film brought in $2.5 million in its Thursday previews, putting it on par with the highly successful 'Killers of the Flower Moon'.
Key Details
The $2.5 million in Thursday previews is a promising sign for 'One Battle After Another' considering its reported budget of $200 million. The film is directed by Martin Scorsese and also stars Robert De Niro and Jesse Plemons. It is based on the true story of a serial killer in the 1920s targeting Native Americans in Oklahoma.
The film's strong Thursday previews also puts it in line with other highly successful Warner Bros. releases, such as 'Joker' and 'The Meg'. With a star-studded cast and an intriguing plot, it's no surprise that audiences are flocking to see 'One Battle After Another' in theaters.
Impact
With a strong start, 'One Battle After Another' is poised to have a successful box office run. The film has received mixed reviews from critics, but with such a high-profile cast and director, it's sure to continue drawing in audiences. As theaters continue to open up and audiences feel more comfortable
About the Organizations Mentioned
Warner Bros.
## Overview Warner Bros. is a cornerstone of Warner Bros. Discovery, Inc. (WBD), an American multinational mass media and entertainment conglomerate headquartered in New York City[1]. The organization is a global leader in film and television production, streaming, and content distribution, operating within a diversified portfolio that includes iconic studios, major TV networks, and direct-to-consumer streaming platforms[1]. WBD was formed in April 2022 through the merger of WarnerMedia (spun off from AT&T) and Discovery, Inc., consolidating a vast array of media assets under one roof[1]. ## What Warner Bros. Does Warner Bros. is primarily responsible for the creation and distribution of film and television content. Its operations are divided into two main divisions: **Streaming & Studios** (which includes Warner Bros. Studios, HBO, DC Entertainment, and streaming services like Max) and **Global Linear Networks** (encompassing cable channels such as CNN, TBS, TNT, Cartoon Network, Discovery Channel, and HGTV)[1]. The company also has significant international operations, reaching audiences across the globe[1]. Warner Bros. is known for producing blockbuster films, critically acclaimed TV series, and leveraging its intellectual property (including DC Comics characters) for cross-platform storytelling. ## History Founded in 1923 by Harry, Albert, Sam, and Jack Warner, Warner Bros. started as a pioneering Hollywood studio, quickly becoming synonymous with innovation in film and animation. Over the decades, it expanded into television, cable, and, more recently, digital streaming. The studio’s legacy includes the first “talkie” (*The Jazz Singer*, 1927), classic animation (Looney Tunes), and a string of box office hits from franchises like *Harry Potter*, *The Lord of the Rings*, and *Batman*. The 2022 merger with Discovery marked a new chapter, aiming to compete more aggressively in the streaming era[1
Deadline
Deadline is a prominent digital media organization specializing in entertainment industry news, particularly focused on business and technology aspects within Hollywood and global media markets. It provides up-to-the-minute coverage on film, television, streaming, and related sectors, offering insights into deals, production updates, and industry trends. Deadline has become a trusted source for professionals and enthusiasts interested in the business dynamics of entertainment technology and media evolution. Founded in 2006 by journalist Nikki Finke, Deadline quickly distinguished itself by delivering breaking news with a sharp focus on the intersection of creative content and business strategy. Finke’s insider connections and bold reporting style helped Deadline gain credibility and influence, eventually leading to its acquisition by Penske Media Corporation in 2013. This acquisition expanded Deadline’s resources and reach, integrating it with other major media properties while maintaining its editorial independence. Key achievements of Deadline include pioneering rapid news delivery in entertainment journalism, influencing industry conversations on streaming wars, digital distribution, and content financing. It has broken major stories on studio negotiations, executive moves, and technological innovations shaping Hollywood’s future. Deadline’s role in covering the rise of streaming platforms and AI integration in production has been particularly notable, reflecting its commitment to tracking technology’s impact on entertainment business models. Currently, Deadline operates as part of a broader media portfolio with a strong digital presence, leveraging multimedia content including articles, video interviews, and podcasts. Its audience consists of industry executives, creatives, investors, and technology professionals seeking expert analysis and timely updates. Deadline continues to evolve by expanding coverage on emerging technologies like AI, virtual production, and data analytics in content creation and distribution. Notably, Deadline’s blend of business rigor and technology insight makes it a leading voice in understanding how innovation drives entertainment’s economic landscape, serving as an essential resource for those navigating this fast-changing sector.
