National Society of Film Critics Awards 2026 Winners: One Battle After Another Dominates
National Society of Film Critics Awards: Live Winners Revealed
The prestigious 60th National Society of Film Critics Awards unfolded on January 3, 2026, honoring 2025's cinematic triumphs. Film enthusiasts worldwide tuned in as votes tallied, crowning standout achievements across key categories. Dominating the night, Paul Thomas Anderson's *One Battle After Another* secured Best Picture with 57 points, alongside wins for Best Director, Supporting Actor Benicio del Toro, and Supporting Actress Teyana Taylor.[1][2][3]
Standout Performances and Directorial Brilliance
Ethan Hawke earned Best Actor for his compelling role in *Blue Moon*, edging out Wagner Moura in *The Secret Agent*. Kathleen Chalfant claimed Best Actress honors for *Familiar Touch*, celebrated for her nuanced portrayal. Runners-up like *Sinners* and *The Secret Agent* showcased fierce competition, with *Sinners* cinematographer Autumn Durald Arkapaw taking top prize in that craft.[1][2]
Impact on Awards Season
These critic picks signal strong Oscar contenders, spotlighting indie darlings and bold visions. *One Battle After Another*'s four awards underscore its narrative power, while special nods like Lucrecia Martel's *Landmarks* highlight emerging gems awaiting U.S. release. Stay tuned as these victories ripple through Hollywood.[1][3]
About the People Mentioned
Paul Thomas Anderson
Paul Thomas Anderson, born June 26, 1970, in Los Angeles, California, is an acclaimed American filmmaker renowned for his character-driven dramas featuring ambitious storytelling, sprawling ensembles, and psychological depth, often set in the San Fernando Valley.[1][3][4] Raised in a showbiz family by voiceover artist Ernie Anderson, he briefly attended New York University film school before dropping out to pursue independent projects, starting with shorts like the mockumentary *The Dirk Diggler Story* (1988) and *Cigarettes & Coffee* (1993).[1][3][5] His feature debut, *Hard Eight* (1996), expanded from his short and marked his entry into crime thrillers, followed by the breakout *Boogie Nights* (1997), a vivid portrait of the 1970s porn industry that revived careers for stars like Mark Wahlberg and Burt Reynolds while earning Anderson Oscar nominations.[1][2][3][5] He solidified his reputation with *Magnolia* (1999), an epic ensemble mosaic, and *Punch-Drunk Love* (2002), a romantic comedy-drama starring Adam Sandler that won him the Cannes Best Director Palme d'Or.[2][3][5] Anderson's later works include the oil tycoon epic *There Will Be Blood* (2007), starring Daniel Day-Lewis in an Oscar-winning role; *The Master* (2012) with Joaquin Phoenix; the noir adaptation *Inherent Vice* (2014), Oscar-nominated for its screenplay; *Phantom Thread* (2017), another Day-Lewis collaboration earning six Oscar nods; and *Licorice Pizza* (2021), a coming-of-age tale.[1][2][3][4] He holds unique distinctions as the only director to win Best Director at Cannes, Venice, and Berlin, plus multiple FIPRESCI awards, with 11 total Oscar nominations across his films.[2][3][4] Frequently collaborating with actors like Philip Seymour Hoffman, Joaquin Phoenix, and cinematographer Robert Elswit, Anderson remains a vital force in contemporary cinema, celebrated for original, studio-scale visions outside genre constraints.[2][4][9] No major recent events are noted as of late 2025.[1][2][3]
Ethan Hawke
Ethan Hawke, born November 6, 1970, in Austin, Texas, is an American actor, director, screenwriter, novelist, and theater artist renowned for portraying introspective, emotionally complex characters over four decades.[1][4][5] Raised in New Jersey by his mother, a charity worker, and father, an insurance actuary, he began acting in high school, debuting in the 1985 sci-fi film *Explorers* before dropping out of Carnegie Mellon University for his breakthrough role as a student in *Dead Poets Society* (1989) opposite Robin Williams.[2][5][6][7] Hawke's film career blends indie and mainstream projects, including early roles in *White Fang* (1991), *Reality Bites* (1994), and *Gattaca* (1997).[3][5][6] He earned his first Academy Award nomination for Best Supporting Actor in *Training Day* (2001) alongside Denzel Washington.[2][3][4][5] Iconic collaborations with Richard Linklater feature in the *Before* trilogy (*Before Sunrise* [1995], *Before Sunset* [2004], *Before Midnight* [2013]), netting screenplay nods, and *Boyhood* (2014), which brought another supporting actor nomination plus Golden Globe, BAFTA, and SAG recognition.[1][2][3][4][6] Other notable films include *First Reformed* (2017), for which he won an Independent Spirit Award for Best Male Lead, *The Magnificent Seven* (2016), and *Born to Be Blue* (2016).[1][2][3][6] A theater pioneer, Hawke co-founded the Malaparte Theater Company in 1991 and earned a Tony nomination for Tom Stoppard's *The Coast of Utopia* (2006) on Broadway, plus Drama Desk and Obie honors.[1][3][4][5] He has directed films like *Chelsea Walls* (2001) and *Blaze* (2018), and novels including *The Hottest State* (1996) and *Ash Wednesday* (2002).[1][4][6] With four Oscar nominations total, Hawke remains active in film, TV (e.g., *The Last Movie Stars* documentary series), and stage, embodying a versatile, multi-hyphenate career.[1][2][3] (298 words)
About the Organizations Mentioned
National Society of Film Critics
The **National Society of Film Critics (NSFC)** is a prestigious American organization of about 60 prominent film critics from major newspapers, magazines, and media outlets, renowned for its **highbrow tastes** and influential annual awards that often favor foreign and arthouse films over mainstream Hollywood fare.[1][4] Founded in 1966 in New York City critic Hollis Alpert's apartment, the NSFC emerged as a rebel alliance against the establishment. Co-founders like Pauline Kael (*The New Yorker*), Joe Morgenstern (*Newsweek*), and Richard Schickel (*Life*) were snubbed by the New York Film Critics Circle for not working at "mainstream" dailies. They also aimed to counter the dominance of *New York Times* critic Bosley Crowther. Despite its New York roots, the group branded itself "national" due to members' work at publications with nationwide reach. Past luminaries include Roger Ebert, Richard Corliss, and current voices like Richard Brody, Justin Chang, and Peter Travers.[1] The NSFC's **key achievements** lie in its annual awards, launched that inaugural year, which spotlight bold cinema. Early Best Picture winners like *Blow-Up* (1966), *Persona* (1966), *Z* (1969), and *M*A*S*H* (1970) underscore its taste for innovative, often international works—rarely aligning with Oscars.[1][2] Film Heritage Awards honor preservation efforts, such as recent nods to Cinema Tropical for Latin American cinema promotion and avant-garde pioneers Ken and Flo Jacobs.[4] As of early 2026, the NSFC remains vibrant, with over 60 members voting in-person in LA/NY or virtually. Its **59th awards** (Jan. 3, 2026) crowned Paul Thomas Anderson's **"One Battle After Another"** Best Picture and Director